Publishers for Short Stories

See below for a list of Publishers for Short Stories.

Go for it. Submit your best short story collection now.

Independent:

Big Houses:

 

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Too Old to Write

Frank McCourt was 60 when he published his first book

Too Old to Write – think again.

Writing is something you can do at any age. In fact, retirement brings you the perfect opportunity to allow your imagination to run free. After all, your mind is not encumbered with worries about work and other mundane bothers.

Plusses to Writing When you are Older

Think about your children, and your children’s children. They may be too busy with their day-to-day activities to listen to your stories of your childhood during the Depression or your stint in a war. But one day, they will be. Writing a memoir will bring that history to life. You don’t want it to be a statement of facts – that’s one reason why young people dislike history in school: boring facts. Dress your memoir up. Bring in the excitement, the dread, the horror, the fear and the adventures you went through. Your family will eat it up like candy.

Everyone has a story in them. Try telling anyone that you are writing a book, and they will tell

Credit: livescience.com

you that it’s something they want to do too. If you enjoy reading fiction, try your hand at it. Not only will you enjoy the process, it will also help to keep your mind active and your brain cells healthy. Besides, it’s sheer fun to create something out of nothing.

Taking a creative writing class is a great way to meet other people who have similar ideas and a fantastic way to enlarge your circle of friends. Quite often, as we get older we notice that our thinking and feelings have changed and are not necessarily close to those we were once friends with. Enjoy the camaraderie that a class of fellow writers bring.

Age brings wisdom and a certain I-don’t-care attitude. You have reached a stage in life where you can do what you want and damn what anyone else thinks. So write down those gems that are hidden in your mind, and take a chance on yourself. You’re never too old to write.

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Improve Your Writing

If you are a beginner writer, chances are you need to improve your writing. The writing style that children learn in school is vastly different to what novelists use. In fact, the styles taught in high school are almost the very opposite of what you should do.

Recently, I coached a high school student who wanted to improve a short story she had written. Every second dialogue tag had adverbs added to them: ex: she said warily; excitedly; innocently; emotionally; coldly – you get the drift. In actual fact, adverbs should be used like condiments – only when needed.

What Areas to Improve

There are so many areas to concentrate on. As a writer, the English language is your tool and if you are unable to use that tool well – you will not be able to write. Some of those tools include grammar, vocabulary and spelling. Learn to spell, or at the very least, use your spell-checker.

A thesaurus is built-in to your computer – use it, but be aware of the words you choose. Randomly ascribing a word you’ve found on your thesaurus does not work. You actually need to understand the meaning and the context of the word you choose

Writing and Feedback

Writing, writing and writing some more will help you to write well. Pick up a piece you wrote just a few years before and you’ll be surprised at the change in the flow of your thoughts and your word.
Joining a creative writing class with an instructor who is tough, fair and offers good feedback is a great idea. You will be part of a group that will not only help and challenge you, it will also motivate you to continue writing and offer a camaraderie that you will enjoy.

There’s so much more that will help you improve your writing. You need to learn structure, how to pace your story and allow the words to unfold, how to plot, how to build characters, how to write so that you hook your audience in. But the most important of all is to just get out and start writing.

Creative Writing Coach

In January 2014, I re-invented myself as a creative writing coach.  With just four writers in my new Beyond-the-Lamppost Creative Writing group, I wondered whether I was making the right decision.

What was the Right Choice?

Should I continue my freelance work ( I still had enough work to keep me happy with three different companies although writing about milk packaging, trucking and home renovations was not my definition of fulfillment) or should I devote myself to my own novels?

Did I have enough insight into the creative process in order to guide other writers? Yes, upon reflection, I knew I did. From the creative writing classes I myself had taken, I knew I could offer much, much more. Those classes were too big with far too many people all clamoring to have their views heard – but sadly, very few of them had anything of value to add. The leader of these classes is insightful, but given that his classes are so big, is completely unable to provide any detail to any one person’s story or to see the arc of the plot – where it should go and how it should unfold. Besides, providing three long pieces in a 12-week span was not my idea of achieving my goal: finishing my novel and becoming a traditionally published author.

What to do?

Many thanks to those first classes because it did set me on the right road. It taught me to end my chapters on a cliffhanger, and it gave me the camaraderie of other writers. But that’s all it could do for me, and I noticed many others who were similarly stalled. If you’ve been stuck writing the same story for 5 -7 years – there is a problem … and I noticed this among many of the other writers. That’s why I felt there was a need for Beyond-the-Lamppost.

My Solution

  1. Submit 1,500 words each week so that your story moves rapidly forward, and your peers remember your plot since you continue it each week
  2. Small groups of writers at the same level who have the ability to critique and/or the willingness to learn
  3. Major feedback from the coach who looks at the weekly piece with an eye not just on that submission, but with its place in the whole story
  4. Option to brainstorm instead of submitting a piece

My Qualifications

My training in journalism had given me a good eye and the tools of the trade: the ability to write succinctly, and grammatically and to a self-imposed deadline. Plus, I was very good at ledes (the first line in any article – now re-named ‘the hook’ in novels) I had to trade objectivity with creativity and that worked too – I was far more creative than I’d realized. Plus, having done a lot of editing as well, I knew just where and what to cut.

Just do it, I told myself … and I did … and I’ve never been happier. Thank you to my two groups of talented writers (you know who you are) and I look forward to broadening my classes to one more in the New Year.

3 Best Writing Books

Choose one or all of these writing books to gift the Shakespeare in your life.

kingOn Writing by Stephen King

This is my favorite book on writing – strange because I’m not a big fan of King’s mostly because I don’t like horror and find his writing style not very appealing. He is a master of plots though and has a wicked imagination, which I admire. What’s great about On Writing is the advice he gives. It is clear, meaningful and written is plain English. Buy it, you won’t regret it.

The Elements of Style by William Strunk Jr. and E.B. Whitestyle

So many writers today have no idea how to string a sentence together and as for grammar and spelling – well, they seemed to have bypassed that class in grade school. You can’t write a novel the way you text, so if you want to learn the elements of writing – begin with this book.

 

bellPlot & Structure: Techniques and Exercises for Crafting a Plot that Grips Readers from Start to Finish by James Scott Bell

Whew! that’s one heck of a title, but read through that and you’ll get a super idea of how plots work and how to create them. James Scott Bell writes suspense and thrillers (not my favorite genre) but when it comes to teaching someone how to craft a novel – he’s No. 1 in my book.

 

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January Creative Writing Classes

Start the New Year off with a creative writing class. If you are new to writing and want to learn how to turn your idea into a novel, Creative Writing 101 on Tuesday afternoons is the one to choose.

You can come with your own ideas, or tempt your brain with some writing prompts.If you have a manuscript you’ve been working on for some time, and have gotten nowhere with – the Wednesday or Thursday class will be ideal for you. This is a challenging course where you submit 1,500 words each week. It is intended for writers who want to strengthen their manuscripts and move ahead rapidly. Be prepared for lots of hard work but plenty of fun.

Creative Writing Classes

WINTER 2017 – 12-week Writing Classes

imagesCreative Writing 101 – Tuesday afternoons Jan. 10 – March 14  from 12:30 – 3:30 p.m.
Crafting Your Novel – Wednesday afternoons Jan. 11 – March 15  from 12:30 – 3:30 p.m.
Crafting Your Novel – Thursday afternoons Jan. 12 – March 16 from 12:30 – 3:30 p.m.

Location: Unity Church, 3075 Ridgeway Drive, Mississauga
Fee: $160 for 12 sessions – To register, email: beverleyburgessbell@gmail.com

Rules for Writers

rulesRules I Agree With

Never open a book with weather – Agree (Boring)

Never use the words “suddenly”. Agree – within reason.

Winter 2016/2017
Creative Writing 101 – Tues. afternoons Jan. 10 – March 14 in Oakville – details HERE 
Crafting Your Novel – Wed. afternoons Jan. 11 – March 15 in Oakville  – details HERE
Crafting Your Novel – Thurs. afternoons Jan. 12 – March 16 in Oakville – details HERE

Use regional dialect, patois, sparingly. Agree – it can become fatiguing quickly

Try to leave out the part that readers tend to skip. Think of what you skip reading a novel: thick paragraphs of prose you can see have too many words in them. Agree completely

Read it aloud to yourself because that’s the only way to be sure the rhythms of the sentences are OK – Agree.

Carry something to write on at all times. Agree – you never know when inspiration will hit

If you’re using a computer, always safeguard new text with a ­memory stick – Agree – don’t be stupid

If you’re lost in the plot or blocked, retrace your steps to where you went wrong. Then take the other road. And/or change the person. Change the tense. Change the opening page. – Agree. Doing nothing gets you nowhere

Give the work a name as quickly as possible. Own it, and see it. Agree – it will bring your book alive

Do change your mind. Good ideas are often murdered by better ones. Agree, within reason. If you keep changing your mind, you’ll get nowhere

A problem with a piece of writing often clarifies itself if you go for a long walk – Agree, or sleep on it

Never worry about the commercial possibilities of a project. Agree – your job is to finish your book

Keep a diary. Agree – if you don’t you’ll regret all those great thoughts or character you forgot to jot down

Have more than one idea on the go at any one time. Absolutely agree – don’t depend on just one idea

The way to write a book is to actually write a book. Absolutely agree – just do it.

Rules I Disagree With

Avoid prologues – Disagree (I read them all and find them fascinating)

Never use a verb other than “said” to carry dialogue – Disagree – Said is one of the best dialogue tags to use, but mix it up every now and then for variety

Never use an adverb to modify the verb “said” – Disagree –  They can be powerful when used with a discerning eye

Keep your exclamation points ­under control. You are allowed no more than two or three per 100,000 words of prose. Bah – humbug – Disagree –  J.K. Rowling uses them by the handful – on each page

Don’t write in public places. Disagree – Write wherever is right for you

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Strong Female Characters

 

hermioneTen Tips for Creating Strong Female Characters

1. Strong female characters should be people first and female second. The fact that they’re women shouldn’t get in the way of their other traits – whether good or bad.

2. All the women in your novel need not be sexy. Are all your male characters gorgeous with no other characteristics?

Winter 2016/2017
Crafting Your Novel – Tues. afternoons Jan. 3 – March 21 in Oakville – details HERE 

Crafting Your Novel – Wed. afternoons Jan. 4 – March 22 in Oakville  – details HERE
Crafting Your Novel – Thurs. afternoons Jan. 5 – March 23 in Oakville – details HERE

3. Most women are not wispy waifs or voluptuous Victoria Secret models. A woman can be attractive and not fit a stereotype.

4. Just because a woman is competent, strong and independent does not mean she has to be a Plain Jane. Think Buffy, Hermione Granger and Scarlett O’Hara.

5. Making your female character good at stereotypical boy things like an auto-mechanic in order to depict she’s a strong character is a cop-out. Sure, she can be a mechanic if that’s what she likes to do, but don’t do it for reason.

6. A lot of women will probably notice bad skin or frumpy outfits on another woman, but beyond that they won’t scrutinize the other woman too hard. They’re way more likely to notice a snooty expression or a false smile.

7. Not all women want marriage and children. Some want one or the other, some want neither. Likewise, not all women want to be CEOs of Fortune 500 companies. Some want to be psychiatrists or artists or teachers or musicians…or whatever else – just like men.

8. Female characters should probably not be solely motivated by a need to have the approval or attention of a man. Or all men in general, really. Female characters who do this ought to change by the end of the story, and realize that their happiness shouldn’t depend on the whims of menfolk.

9. Avoid overly ‘man-hating’ women. Being empowered doesn’t mean she’s terrible to men just for being men—it just means she’s not stepped on for being a woman

10. Don’t have a female character just to have a female character. Make her a whole person.

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Real People in Fiction

kim-karMany times your plot might call for using real people in your story – is that kosher? Can you do it without being sued? For example, you might want to use the crazy Hell’s Angel character who happens to live on your street or a celebrity you may have met, or know about. Would you be sued?

Winter 2016/2017
Crafting Your Novel – Tues. afternoons Jan. 3 – March 21 in Oakville – details HERE 

Crafting Your Novel – Wed. afternoons Jan. 4 – March 22 in Oakville  – details HERE
Crafting Your Novel – Thurs. afternoons Jan. 5 – March 23 in Oakville – details HERE

A Short Guide

  • Rule for celebrities are different than for us common folk. Their names and faces are worth money, plus they have the dough to sue you if they don’t like, or object to what you have written about them. If it is a dead celebrity, the rule is different, although there are exceptions (people who have died in California and some other states still have rights or perhaps it is their estates that have the right – you will need to find out about this for sure before you write about someone from such states).
  • Generally, once a person is dead, their rights die with them.spock
  • Generally, you cannot use a live person as a character in your book because it invades their privacy and there is a possibility that they could bring a libel suit against you if you have them (as your character) say or do something that goes against what they might actually do or say in real life.
  • Cameos are acceptable, especially if you use an actual event they attended or spoke at. Anything that you cull from an interview with the person can also be used. You cannot change the facts. If you say that your character looks like Paul Newman in one of his movies, that’s fine.
  • Ordinary people like your weird uncle or crazy aunt also have privacy rights. They may not sue you, but they will despise you and perhaps turn your family against you … or they could lap it up. You never know.

Strategies if you have to use a real person

  • Change their name and details so they cannot recognize themselves
  • Don’t make them look absurd or turn them into criminals. Most people would love the notoriety, but you just never know

There’s no law against using someone’s story to inspire your own. In fact, it is a common way for authors to get ideas. Alice in Alice in Wonderland was based on Alice Liddell as everyone knows and there are so many others.

In fact, we often use anecdotes and stories from our own life to kick-start our novels. And that’s great. It brings a certain veracity to your story. Just remember that there are others who are involved as well who might take exception to what you say – it is part of their life too, after all.

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Writing Good Prose

proseWriting good prose is an art worth cultivating. Many writers are adept at it, while others aren’t so good. Develop this skill if you expect to become a published author.

You probably have one short paragraph to capture a literary agent’s attention before they toss your masterpiece aside. So what should a budding novelist do?

Winter 2016/2017
Crafting Your Novel – Tues. afternoons Jan. 3 – March 21 in Oakville – details HERE 
Crafting Your Novel – Wed. afternoons Jan. 4 – March 22 in Oakville  – details HERE
Crafting Your Novel – Thurs. afternoons Jan. 5 – March 23 in Oakville – details HERE

Sharpen Your Writing Skillssharpening-steel-app1

An agent will be able to tell almost instantly if the writing has an amateurish cast to it. You may have the most intricate and exciting plot and a climax to beat all others but if the reader doesn’t get past your poor writing, your novel will never get published. Get rid of flat, boring writing. Juice up your prose, give your words depth and excitement. Grab them by their consonants and make them pay you for using them.

Good Quality Prose

Toss the hackneyed, trite and well-worn phrases. That means no clichés please. They’re stale, dull and often inaccurate. What exactly does ‘fit as a fiddle’ even mean? Invent your own metaphors and similes. They’ll freshen up your narrative and give it your own creative twist.

Simple and Direct

dickensLeave Dickens where he belongs – in the nineteenth century. His convoluted prose might have brought him top dollar and earned him a place in the classics but let’s face it – who talks like this anymore? “What extravagances she committed; what laughing and crying over me; what pride she showed, what joy, what sorrow that she whose pride and joy I might have been, could never hold me in a fond embrace; I have not the heart to tell.” This type of monologue worked for David Copperfield. It will not work for you. Instead, try being simple and direct. Say YES to short, active sentences and a resounding NO to passive, tortuous language.

Your Reader is Not a Fool

Hitting the reader over the hat with a fistful of adjectives will show you for what you are – an amateur writer. Good writers know to use them judiciously. Trust in your reader to use his/her head. Several adjectives in a row will most often, weaken your sentence. Delete some and see for yourself.

To Be or Not to Be

This verb, in all its different forms, can dull your prose and squash your writing. What are the different forms of ‘to be’? They are: ‘am,’ ‘is,’ ‘are,’ ‘was,’ ‘were,’ ‘be,’ ‘being,’ ‘been,’ and the future ‘will.’ Notice how often you use them and watch how they can turn a sprightly phrase into a stodgy, boring union of words.

Check out these articles from Writer’s Digest:

1. Does a High School Protagonist Mean Your Book is Young Adult?
2. Six Tips for Writing Young Adult Horror.
3. How to Write for Teens Without Sounding Like an Adult Writing for Teens.