Writing good prose is an art worth cultivating. Many writers are adept at it, while others aren’t so good. Develop this skill if you expect to become a published author.
You probably have one short paragraph to capture a literary agent’s attention before they toss your masterpiece aside. So what should a budding novelist do?
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Sharpen Your Writing Skills
An agent will be able to tell almost instantly if the writing has an amateurish cast to it. You may have the most intricate and exciting plot and a climax to beat all others but if the reader doesn’t get past your poor writing, your novel will never get published. Get rid of flat, boring writing. Juice up your prose, give your words depth and excitement. Grab them by their consonants and make them pay you for using them.
Good Quality Prose
Toss the hackneyed, trite and well-worn phrases. That means no clichés please. They’re stale, dull and often inaccurate. What exactly does ‘fit as a fiddle’ even mean? Invent your own metaphors and similes. They’ll freshen up your narrative and give it your own creative twist.
Simple and Direct
Leave Dickens where he belongs – in the nineteenth century. His convoluted prose might have brought him top dollar and earned him a place in the classics but let’s face it – who talks like this anymore? “What extravagances she committed; what laughing and crying over me; what pride she showed, what joy, what sorrow that she whose pride and joy I might have been, could never hold me in a fond embrace; I have not the heart to tell.” This type of monologue worked for David Copperfield. It will not work for you. Instead, try being simple and direct. Say YES to short, active sentences and a resounding NO to passive, tortuous language.
Your Reader is Not a Fool
Hitting the reader over the hat with a fistful of adjectives will show you for what you are – an amateur writer. Good writers know to use them judiciously. Trust in your reader to use his/her head. Several adjectives in a row will most often, weaken your sentence. Delete some and see for yourself.
To Be or Not to Be
This verb, in all its different forms, can dull your prose and squash your writing. What are the different forms of ‘to be’? They are: ‘am,’ ‘is,’ ‘are,’ ‘was,’ ‘were,’ ‘be,’ ‘being,’ ‘been,’ and the future ‘will.’ Notice how often you use them and watch how they can turn a sprightly phrase into a stodgy, boring union of words.
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