If you are writing literary fiction, you can get away with no plot – lots of flowery writing that goes nowhere, or little snapshots of life are perfectly acceptable for this genre. For anything else, your readers will expect a plot.
What is a plot?
A plot is your main character diving into a crucial situation to pursue a specific goal but of course encountering insurmountable odds along the way. That is the essence of a plot. Lies, obstacles, misinformation, these are all wonderful components of a plot.
A plot is the skeleton of your story; the bones that hold the framework of your novel together and create the action and conflict. It is the reason for the tale. In The Hunger Games, for example, the people are … well, hungry. They compete in a game of death where the winner receives – food.
The main plot can be depicted in an arc to show the beginning, the middle and the end. It is the story of what happens to your main character; what she wants: whether it is a specific role on Broadway or to become an Olympic hurdling champion. Her objective has to be specific.
You can have sub-plots running through the main plot line – in fact, you need to have sub-plots in order to give your story more layers. Just like in real life where we have multiple things going on in our lives, so too, the protagonist of your story should have a full life. He should not so focused on his goal that nothing else happens to him. This type of character would be boring and one-dimensional.
Of course, your plot depends on other elements as well. It must be fleshed out. Remember the plot is just the skeleton. You give it substance by adding in:
- Multiple characters
- Conflict (this is super important)
- Satisfying Ending
A Riveting, Gripping, Spell-binding Plot Line
That’s what all writers hope for. But what makes for a page turner, for a book that the reader just can’t put down? Three elements:
- Multi-dimensional characters you care about
- Writing that flows and is effortless
- Major and minor complications and obstacles that the protagonist must face and conquer. Keep your reader guessing in each chapter to make her want to continue reading.
It may not seem like it when you are reading a fascinating story but the author has structured the plot in a very specific way in order to grab your attention and keep it for the duration of the book.
- Beginning. This is where we meet the protagonist and find out what he or she is doing and why. We often discover them in the middle of some action that will form the basis of the story. Enough backstory will leak through to give us some idea of their personality and their present life. Conflict will be introduced to keep us biting our nails and rooting for the hero.
- Middle. The action keeps moving at a rapid pace. Sub-plots enter the story and must be attended to as well.
- More than middle of the way. The climax of the story is reached and we have bitten our nails down to nub by this point. In Titanic, it’s when the ship hits the iceberg and panic ensues.
- End. The action starts to wrap up. In Titanic, that means Jack manages to get Rose on a wooden board that’s only big enough for one person. He remains in the water and by the time rescue arrives he is frozen to death. The resolution of the story happens when Rose (now very old) passes away and is reunited with Jack.