Here are a few ways to ensure you fail as a writer. Let me know if you can think of a few more.
1. Start your novel off with plenty of back story. After all, your readers will want to know all that before they actually get to the exciting stuff. Under no circumstances, jump right into the inciting incident so that you can grab the reader’s attention immediately, and keep them flipping pages and salivating to find out more.
2. Don’t bother to write more than your first draft. You find it interesting, so of course everyone else will. There may be logistical problems with your story, but hey! the reader can figure it out. Why bother with having someone critique it, and why bother writing a second, third, or fifth draft so that the story is compelling, thrilling and exciting.
3. Spelling mistakes, typos, grammatical errors – who cares about them. Of course, it’s quite easy to use spellcheck – but really, why bother? What’s important is the actual story, so readers won’t care.
4. Writing is an art form, so working on your novel should only be done when the muse smacks you over the head. There is no hard work involved, no craft to learn. It’s easy peasy, and anyone who thinks otherwise is a fool. All those great writers like John Steinbeck and Hemingway – well, the prose just flowed out of them. It was a gift. They didn’t do any work, why should you?
5. Reading is for chumps. If you read the type of stories you like to write, it will hinder your ability to be original. Just write what you know, and others will read it when it is published – because of course your novels will be published – you’re that good, and everyone will know it immediately.
6. Make sure your ending fizzles out. After all, the ending isn’t that important. Readers don’t care. They don’t want to close a book feeling satisfied, do they?
7. You’ve written your manuscript – it’s your first draft, not proofed, not critiqued, but you know it’s good and every literary agent is waiting with bated breath to sell it to the highest bidder. Don’t bother researching agents to find out who represents your genre; don’t bother writing a proper query and don’t bother finding out how to spell the agent’s name. You’re a shoo-in.
Writers – what do you think?