Tag Archives: tips for writers

Tempt Failure

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If you want to succeed, tempt failure. It sounds like an oxymoron, but it isn’t. What it really means is that chucking it all, and trying something different may end up being your key ingredient to success.

How to Tempt Failure

Tempt failure by doing what you are terrified of doing. Take a risk. It may not pay off … but it just might.

It reminds me so much of all the people who stay in safe jobs, and absolutely hate what they do. I started my adult life as a secretary – not because that’s what I wanted to do. I actually wanted to go to University, but since there wasn’t enough money for that, my parents signed me up for secretarial school. I loved the people – I hated the job. But when we immigrated to Canada it got me a job that helped pay the bills. During those office years, I met so many people who complained endlessly about how they hated their jobs, but never took any steps to do something about it.

I did. I chucked it all up one day thanks to a very good school friend of mine who made me cry. She told me  – “what are you doing in such a dead-end job? You had so much potential. Go and find yourself.” When I got back home to Montreal, I marched in to my boss’ office and quit. I said I was going back to school to get a degree in journalism. The problem was I hadn’t actually applied! Thank god, I got in!

Years later, I decided to start my new life as a creative writing coach. I was terrified. What would happen if no one signed up? I’m in my fourth year now, and I can truthfully say I have a great gang of writers, and love what I do.

Tempt failure? You betcha.

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Point of View

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The correct point of view (pov) can make or break your novel. The reader wants to be drawn in and feel like they’re part of the story, and this happens through point of view.

New writers often believe that the omniscient point of view is the one they should write in. That way, the reader can know everything that is happening in the story. Makes sense, doesn’t it? At first glance, it does. Omniscient point of view does have its place, and works very well for certain types of story, but it takes a seasoned writer to do a masterful job of this pov.

Party Stories

When you’re at a party, or meeting a friend, and you tell a story – think about what you do and say. Chances are you’re going to be using first person (I) and, if you’re like me, gesturing a lot and getting extremely animated. Using first person, allows you to bring in this personal aspect into the storytelling. It does force you to tell the story only from that person’s viewpoint, but there are ways around that too.

Chances also are that the person who’s telling the story is also the most important person in the story – otherwise, why is he telling the story? He’s the only one who knows the story intimately and that’s the beauty of this pov – that intimacy will shine through. We are in that person’s world, feeling what he feels, doing what he does, and being crushed when he is. It’s probably the easiest pov to write as well, since we can immerse ourselves into the character’s emotions and thoughts.

Third person point of view works too. Although it does not have the immediacy of first person, it is the pov that works for most novels. It also allows you to use other characters’ voices in the story. Definitely not as limiting as first person, but it’s a good idea to limit your pov’s to two or three people or you’ll end up getting as confused as your reader will be.

What pov do you like to write in?

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Breaking Down a Scene

Your story is made up of multiple scenes. It’s what moves your plot along and takes your character to his/her goal.

Every scene can be broken down into five parts:

1) Point of View Character

If you are writing from a first-person POV – then you have no problem figuring out who your POV character for the scene is. If not, think of which person has the most at stake, emotionally – and bingo, that’s the person whose POV you should write the scene in.

2) Goal

What is the goal that the POV character is pursuing in this scene? It can’t be something vague like ‘oh, he’s going to rescue the girl’. He needs to be more concrete like ‘he’s going to choke her whereabouts out of the villain, after which he will pound them to a pulp’, then go rescue the damsel in distress.

Your goal must be clear, possible and important to the character

3) Conflict

Every scene must have conflict. That doesn’t mean there has to be a fight between characters. All it means is that the other person must have specific goals as well, and they should be at odds with the pov character. We don’t need to know what the other person’s goals are at that time. They just need to be pursuing another agenda.

One of the characters in the scene will achieve his/her objective or goal, and it doesn’t necessarily have to be the protagonist’s.

4) Setback/Disaster

As I said above, one of the conflict characters will achieve their goal (hopefully not the protoganist because then your story is limited). The protagonist can have some questions answered, some small goal achieved, but always foiled in some way until the end.

5) Scene End

End your scene on a bit of a cliff hanger. Hopefully, not only has your heroine not achieved her goal, but has made her life worse – and your story more interesting.

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Scene Sequels

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Scene sequels are what happens after a particular scene ends.  If you’ve done your scene right and ended on a cliff-hanger, then you need sort of take a breather and forge some kind of emotional connection. In other words, make your reader care about what’s happening to your character right after you leave him hanging on the ledge.

A scene sequel does three things:

1) Gives your POV character a chance to react emotionally to whatever has happened

2) Gives him/her the opportunity to figure out how to proceed as he/she is (if you’ve done your scene correctly) in a bit of a bind – which is good. It makes your reader worry whether he/she will make the right choice

3) Sets up the next scene by making a decision one way or another

In order to write a scene sequel correctly, you have to also make sure it unfolds in the right order, because that’s the way a normal person reacts. We think emotionally, then stop to reason, consider all our options, and then carry out whatever we decide. Your character is human too (well, if he’s not, then you may be able to change this sequence of events).

1) Your character must react emotionally i.e. cry, beat his breast, chop someone’s head off!

2) Stop and review the facts – this doesn’t mean logically like Spock. It just means he tries to figure out what’s going on

3) Figure out different scenarios as in – ‘what if I did this’ or ‘what if I did that’

4) Make a decision

Think about your character discussing some terrible ordeal she’s just been through with a best friend, or perhaps praying out loud in church – going through the steps of what happened, and then coming to some kind of decision as to how to proceed. That, my friend, is a scene sequel.

Each of these steps don’t need to have the same weight each time. Maybe some times, the character is heavy on emotion, other times it’s trying to anticipate what sort of action she has to take. The only thing to remember is that these steps need to be covered.

Time Traps and the Productive Writer

Time trap

Time traps is one of the biggest problems a writer today faces. I know this from experience. Once upon a time I called it procrastination, and as a journalist and then a freelancer I knew it well. I’d spend tons of time doing the laundry, twiddling my thumbs, walking the dog – anything to prevent me from starting my piece. Because I knew that I worked better under pressure, that my thoughts unfurled when my deadline approached.

As a novelist, however, I only have a self-imposed deadline. Now, unfortunately, procrastination has turned into time traps – time traps such as trolling Facebook, getting side-tracked on my daily dose of Trump nonsense, falling down the sinkhole of Google, and playing Words with Friends.

How to Sidestep Time Traps

Yes, it is possible. Going cold turkey and saying you won’t ever go on Facebook is the same as saying you’ll never touch another carb again. It’s just not sustainable. Instead, set aside a half hour to catch up on Facebook. Let’s face it – you don’t really have to ‘like’ and comment on every post you read, and if you’re like me – you don’t actually post a whole lot.

CNN and Trumpian Nonsense

Give yourself fifteen minutes to catch up on Trump’s latest nonsense. He’s not worth much more.

Google

Here, you need some self-restraint. It’s hard not to get distracted from the valid research you are doing. I find the best way to stop myself from going crazy on  links within links is to just not click on anything. Stay focused on the article you are reading and exercise control. You can do it.

Words with Friends

No words of advice here. As those of you I play with know, I have absolutely no self-control whatsoever. The physical game of Scrabble was a family favorite growing up, and Words with Friends is my comfort game. So – time trap or not – I don’t care.

What are your time traps, and how do you deal with them?

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Dreams, Despair and Depression

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I call them the three D’s of a writer’s life – dreams, despair, and depression. First, you have a wonderful dream of writing a novel. Not just any novel – a bestseller. It will be top of the New York Times Bestselling list, will become a hit movie, and of course you will be the next J. K. Rowling aka the richest person in the world.

Hah. Reality sinks in when you start writing your magnificent opus. First draft, then tenth draft and one day you realize you are in total despair. Your characters hate you, and the feeling is reciprocal. You’ve gone through your manuscript so many times that you can’t see what the story is about any more.

That’s when depression sets in. You will never sell the stupid thing, no one will ever want to read it, and you are a total bust.

How to Help Yourself

Here are a couple of ways to help you hang on to your dream, to kick despair out of your life and to tell depression to take a hike – a really long one, far away from you.

Worm your way into a critiquing group. A good critiquing partner is worth his/her weight in not just gold – make that diamonds. He/she will quite often have far better insight into your own work than you do. It’s a weird phenomenon, but true.

The second way is to join a creative writing class or hire a creative writing coach. My gang of writers at Beyond-the-Lamppost have become sharks … and I love it. They’ve learned to glean not only the essential parts of each writer’s characters, plot and conflict, but they also offer suggestions on how to improve the work, cut out extraneous bits, and craft the work into something that stands out in quality and originality.

How do you deal with dreams, despair and depression when writing?

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Writing out of Sequence

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Does it matter if you are writing out of sequence? Not starting your novel at the beginning, progressing through the middle and finally to the conclusion? Do you jump around and write the scenes that excite and titillate you, make you feel alive and then try and rope the scenes together to make sense?

It’s not necessarily a bad thing. It’s not necessarily a good thing.

Advantages to Writing out of Sequence

Crafting those crucial scene allows you to capture your characters’ thoughts and emotions and allows your own thoughts and emotions to flow. When they do -hey, there’s no better time to hit those keys.

Allows you to stay energized and get the best parts of your story down. Why wait, when you can write? Go for it. It can help your story take shape, and/or set it on a path you didn’t think of before.

Skipping ahead allows you to fight writer’s block. Perhaps one character’s needs and actions are clearer than another’s.

Disadvantages to Writing out of Sequence

It makes it difficult to know where to slot your already-written scene in. The scene stands out like a giant thumb, and can drive you crazy trying to figure out how and where to stuff it into your novel.

If you have written all the juicy scenes, it can sap the strength out of your writing. Leaving only transitional scenes to write can be boring, and taxing.

It can be risky. You might not know what to do with the scene once it’s written – it may not fit into your overall plot.

If you are a pantser, this might hinder you since you don’t necessarily know where your plot is heading to.

How do you write – in sequence, or out of?

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The Saggy Middle Blues

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Boo hoo – You’ve reached that awful part – the saggy middle of a story where your initial excitement has faded, and the horrible thought that you may actually not have enough material to go on shoves its nasty head at you. And there’s a heck of a long way to go before you can type in those two final words – The End. What to do?

Kill Someone

Not literally – just in your book, silly. Killing someone off always causes chaos, especially if it is someone the reader thought was important. That will wake them up, and you too. Figuring out how to continue will wake you up from the saggy middle blues.

Introduce a New Character

There is no law that says you have to introduce all your characters up front. Let this new and (maybe) creepy character bring some angst and fear to the rest of the cast. Someone that can cause chaos and rev everyone up – including you.

Write Out of Sequence

Fire out a scene that you know you want to write – perhaps a sexy love scene, or a devastating death, or maybe even the climax of the novel. The excitement of writing something fresh and powerful will stab you with zeal to continue your story. Perhaps you’ll start seeing the characters in a different light, or track possibilities that you didn’t think of before.

Character Reversal

One of the best ways to throw your reader off the scent of whatever your writing about is to have the ‘friend’ be actually the ‘opponent’. Take this opportunity to start sowing seeds of doubt.

What do you do to prop up your saggy middle … of the story – that is!

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Trusting Your Gut Instinct

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Trusting your gut instinct is not as easy as it sounds. Years ago, when I first immigrated to Canada I worked as a secretary in a big paper company, right in the center of Montreal in the wonderful old SunLife Building. It was a great introduction to Canada, but I hated working as a secretary especially when I got promoted to be the Big Boss’ secretary. That meant I had to make him his daily cup of soup in addition to my other work. Grr, I absolutely detested it.

My Trigger for Change

But one day I visited a school friend of mine who worked at the World Bank in Washington. It was great fun until she made me cry. Yep, she got under my skin and made me feel awful because she made me realize one important thing (which I didn’t want to hear at that time) – I was in a job I hated and which did not suit me and … I could do so much better.

Once I got over my crying jag, I realized she was right. That’s when my gut instinct kicked in. I marched into my boss’ office (I wish I could say I told him where to stuff his cup of soup, but I didn’t) and quit to go back to university and get my Bachelor’s in Journalism.

That was the beginning of my belief in gut instinct. Whenever I’ve used it, it’s never let me down. When I’ve sat there analyzing my actions and decisions, I fall flat. My decision to become a writing coach was based on expertise – yes, but it was also based on my gut instinct that I could do the job. I had the qualifications, the knowhow and the temperament but most of all – my gut instinct told me I would be good at it. And it was right.

What does your gut instinct tell you?

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Sabotaging Yourself and Your Writing

You love writing your novel, yet somehow you can’t stop sabotaging yourself. What gives? Not sure, but I think it’s our innate way of trying to protect ourselves from rejection. Besides, it’s just so darned easy to blame everyone.

Sabotaging Strategies

Blame work and family for taking up so much of our time away from what we want to do – write, write, and write.

Blame agents for rejecting our work, not bothering to read the story, not getting it, and well – why bother if you can’t even get your query by the gate keepers

Blame our critiquing partners for not understanding what we’re writing and refuse to understand how their remarks and suggestions can help improve and texturize your work

Blame distractions like Facebook, email, google and housework.

Blame your own insecurities for not allowing you to pursue your goals of getting your novel published.

Is there any way to get past these sabotaging strategies? Sure. Just like any bad habit, it will probably take you a few months of concerted effort to force yourself to climb the self-esteem ladder.

Success Strategies

Writing books, teaching blogs, podcasts, magazines – there is something for everyone. But sometimes, this can actually be a problem. Too much information can be overwhelming. Troll a few sites, and see which ones appeal to you. Is the language simple and direct? That’s always a good clue.

Writing classes can be the perfect strategy for motivation and to snap the word ‘sabotage’ out of your writing vocabulary – but only if it is the right one for you. Small classes like in Beyond-the-Lamppost work well because the group leader has time for everyone.

Take responsibility for your own actions, and try to manage your time at home and at work. Setting aside a specific time to write – whether it is in the morning or late at night might help to keep you motivated and on track.

What do you do to nix sabotaging yourself?

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